Sasha Burkhanova-Khabadze (b.1989) is an independent curator and art writer, living in London. She
is currently doing her PhD in Fine Art at Central Saint Martins. She published her texts in Sleek Magazine,
GARAGE, Interview Russia, Moscow Art Magazine, and 1Granary.




CURATORIAL PROJECTS

2017 HOW CAN ONE TELL THE ARTIST FROM HER ART, Parallel Program of the 7th Moscow International Biennale
       of Contemporary Art, AIR, Moscow
YOU ARE MATERIAL, Aquarium, CSM, London
BLUE.SEVENTEEN, Osnova Gallery, Moscow

2016 TIED, Artlicks Weekend, London
ON BECOMING EACH OTHER, Special Project for the 5th International Biennale of Young Arts, Moscow
AND ALSO (don’t tell anyone) Love is a Crime, MANIFESTA 11, Zurich
WHEN AIR BECOMES BREATH, Osnova Gallery, Moscow
OTO-INCONTINENT, Public Exhibitions, London
AND ALSO, Elektrozavod Gallery, Moscow
HEARTBURN, Elektrozavod Gallery, Moscow
2015 CUSTOMER EXPERIENCE National Centre for Contemporary Art, Moscow
CARTOONLIKE, Erarta Gallery, London
FUTURE. ART IN IMAGINARY FUTURE, MANEGE Museum, Moscow
2014 METAPHYSICS IN RUSSIAN ART, Erarta Gallery, London
THE UN-PRIVATE HOUSE, DRHA14, Stephen Laurence Gallery, London
DREAMING MACHINES, MMOMA, for the 4th International Biennale of Young Arts, Moscow.
2013 I WHERE A DRESS: AN ARCHAEOLOGICAL INQUIRY INTO A WORK OF ART, DISPLAY LONDON Gallery, London
MEDITATION LANDSCAPES, Russian Academy of Arts, Moscow
NO SPACE LIKE HOME, Hanmi Gallery, London
DISAPPEARING INTO ONE, 176 Gallery, London


CONFERENCES AND TALKS

2017 SPOTLIGHT 2017: YOU ARE MATERIAL, CSM, London
2016 ACTUAL PROBLEMS OF THEORY AND HISTORY OF ART, Hermitage State Museum, Saint Petersburg
DELEUZE STUDIES CONFERENCE, University of Roma Tre, Rome
ETHICS OF INDEPENDENT ART CURATING, RCA, MA Sculpture
TIME FLIES LIKE AN ARROW; FRUIT FLIES LIKE A BANANA, Pushkin House, London
2015 DIGITAL RESEARCH IN HUMANITIES AND ARTS, Dublin City University, Dublin
MATERIAL ENVIRONMENTS: Sensing Time and Matter in Digital & Visual Culture, University of Greenwich, London
RUSSIANNNESS: THE MATTER, GRAD Gallery, London
2014 CURATING CONTEMPORARY RUSSIAN ART: The Legacy of Manifesta, Erarta Gallery, London


PUBLICATIONS

— STANLEY CASSELMAN: INNOVATE OR DIE. Exhibition catalogue essay. London, Gazelli Art House. Print. May 2017.
— THE LONELY NARCISSUS. Exhibition catalogue essay. Moscow, Osnova Gallery. Online. October 2016.
— Marguerite Humeau: Love, Life and Language. GARAGE Magazine, UK. Print. September 2016.
— How Young Galleries Survive in The Traditional Art Scene. SLEEK Magazine, Germany. Online & Print. August 2016.
— Neil Harbisson: cyborgism. GARAGE Magazine, UK. Print. September 2015.
— CARTOONLIKE. Exhibition catalogue essay. London, Erarta Gallery.May 2015.
— AI WEI WEI: Behind the wall. 1 GRANARY Magazine, UK. Online & Print. July 2015.
— METAPHYSICS IN RUSSIAN ART. Exhibition catalogue essay. London, Erarta Gallery. Print. November 2014.
— DREAMING MACHINES. Biennale publication essay. Moscow, the 4th International Biennale of Young Arts. Print. June 2014.
— I WHERE A DRESS: AN ARCHAEOLOGICAL INQUIRY INTO A WORK OF ART. Exhibition catalogue essay. London, Display
      Gallery x 1 Granary Magazine. Print. October 2013.
— MEDITATION LANDSCAPES. Exhibition catalogue essay. Moscow, Russian Academy of Arts. Print. August 2013.
— Author of “ART-OBJECT” column. INTERVIEW, Russia. Online. 2013/2014.


EDUCATION

2019 Ph.D in Fine Art, Central Saint Martins College (UAL), London
2014 MFA in Curating, Goldsmiths College, London
2011 MA in History and Culture of Fashion, London College of Fashion (UAL), London
2010 BA in Economics, The Higher School of Economics, Moscow